
Korea & Japan
Warner Bros To Acquire DramaFever
Warner Bros has signed a deal to acquire New York-based streaming service DramaFever from Japan’s SoftBank, which bought the company in October 2014.
Korea & Japan
Warner Bros has signed a deal to acquire New York-based streaming service DramaFever from Japan’s SoftBank, which bought the company in October 2014.
Korea & Japan
HBO has signed an exclusive SVOD deal with Hulu Japan for hundreds of hours of library programming, along with premieres of shows that are new to Japan.
Chinese Speaking
Chinese streaming platform iQiyi has signed a multi-year film output agreement with 20th Century Fox.
Chinese Speaking
UK-based SVOD platform MUBI has formed a joint venture with Dong Ping’s Huanxi Media Group to launch a streaming service in China later this year.
Middle East
The founder of New York-based SVOD platform MoviePigs talks about building a global audience for Arabic-language films.
News
The CEO of Eros International’s digital division talks about ErosNow's content and pricing strategies and the growth of India’s VOD sector.
Middle East
New York-based start-up MoviePigs is launching an SVOD platform focused on Arab cinema for audiences in North America.
Middle East
VOD platforms have the potential to expand the audience for Arabic-language content, but traditional business models are preventing local producers from unlocking their full value.
Middle East
Growth in over-the-top (OTT) television services and other digital platforms is set to have a huge impact on content production in the Arab world, according to PwC report Beyond Digital.
News
Netflix will stream Anurag Kashyap’s Gangs Of Wasseypur as an eight-part mini-series in the US and Canada in the first week of December.
Korea & Japan
At the recent Japan Content Showcase in Tokyo, Netflix Japan VP David Lee outlined the streaming giant’s strategy in a market that usually prefers its own content to US dramas.
Chinese Speaking
Western streaming giants are making their first forays into Asia, but will they be able to negotiate different cultural tastes, piracy and local competitors to win over audiences?