News
Thai Hit ‘How To Make Millions Before Grandma Dies’ Takes Audience Award At NYAFF
Malaysian filmmaker Chong Keat Aun's 'Snow In Midsummer' took the Uncaged Award at the close of this year's New York Asian Film Festival.
News
Malaysian filmmaker Chong Keat Aun's 'Snow In Midsummer' took the Uncaged Award at the close of this year's New York Asian Film Festival.
Festivals
Michael Fetter Nathansky's drama about a failing relationship took best film, screenplay and actress.
Streamlined Insights
Before signing off for a few weeks holiday, Streamlined is taking the temperature of the summer box office, along with a round-up of half-year box office results, in major Asian markets. There is so much drama currently going on in the world between wars, natural disasters, political unrest,
Middle East & North Africa
Berlinale’s World Cinema Fund awarded eight production and two distribution grants in its latest funding round.
Festivals
'Sunday' was awarded the Grand Prize, while 'Stolen', directed by India's Karan Tejpal, took best director and the Audience Award.
Streamlined Guides
The Philippines’ film industry is best known internationally for crime thrillers and social issue films, which win awards on the international festival circuit, while its mainstream industry is known for romantic comedies that are distributed to the diaspora. But the country’s reputation for those genres does not do justice
Festivals
'The Last Stop In Yuma County' scooped the Best of Bucheon Award at this year’s BIFAN, while 'Esper’s Light' took the top award in Korean Fantastic: Features.
Southeast Asia
SGIFF Film Fund, managed by Singapore International Film Festival, has selected four docs and three short films in its most recent funding round.
Chinese-Speaking Markets
Lau Kek-huat’s From Island To Island won the Grand Prize and Best Documentary at the Taipei Film Awards, while Old Fox took five prizes.
News
Kenneth Dagatan’s 'Molder' won the top Bucheon Award, while Le Hoang's 'The Heirloom' took the NAFF Award.
Streamlined Insights
One issue that comes up repeatedly in the conversations I’ve had with producers in Asia and the Middle East over the years is the difficulty of setting up co-productions between ‘established’ (usually meaning Western European) nations and ‘developing’ nations. Of course, there are other established film producing territories
Chinese-Speaking Markets
Asian New Director Award came with a cash prize of HK$100,000.