Chinese-Speaking Markets
FESTIVALS: ‘Coo-Coo 043’, ‘Marry My Dead Body’ To Bookend Taipei Golden Horse
Golden Horse has set Coo-Coo 043 as this year's opening film, while Cheng Wei-hao’s Marry My Dead Body will close the festival.
Chinese-Speaking Markets
Golden Horse has set Coo-Coo 043 as this year's opening film, while Cheng Wei-hao’s Marry My Dead Body will close the festival.
Chinese-Speaking Markets
Wen Chen-Ling and Ding Ning head the cast of boxing drama co-financed by Hong Kong's Celestial Tiger Entertainment.
Chinese-Speaking Markets
Fiona Ruan Fengyi’s American Girl took best narrative feature at the awards, held during the Taipei International Film Festival.
Middle East & North Africa
Korean talent took two of the top awards, with Park Chan-wook winning best director and Song Kang-ho taking best actor.
Streamlined Insights
Chinese cinema is conspicuous by its absence at this year’s Cannes film festival, with only a few short films announced across the official selection and parallel sections. Directors Fortnight said last week that the Asian “surprise film” that it was hoping to announce, was a Chinese film, that it
Streamlined Insights
While Streamlined doesn’t want to focus too much on any one market, there are several questions swirling around China that impact the global content industries and would be good to address before Cannes gets underway. This week’s edition of Streamlined will touch on two of these issues – Beijing’
Chinese-Speaking Markets
Lee Jang-hoon's Miracle: Letters To The President was presented with the Golden Mulberry, while China's Return To Dust and Too Cool To Kill took multiple awards.
Chinese-Speaking Markets
APRIL 2022: Rolling updates of the latest streaming content announcements from Asia Pacific and the Middle East.
Streamlined Insights
In addition to a rare pandemic-era China co-production, Streamlined takes a brief look at Asghar Farhadi’s legal woes and the controversial restructure of India’s film-related public bodies. 1. Sino-French co-production Pekingman wraps in China Earlier this week, Streamlined caught up with Shanghai-based
Streamlined Insights
India may have scored its first huge post-pandemic hit, but the country’s box office has not yet fully recovered and China is still struggling with Covid-induced cinema closures. Meanwhile, the entire planet was obsessing over a slap… 1. PVR, RRR AND THE RECOVERY OF INDIA’S BOX
Middle East & North Africa
MARCH 2022: Rolling updates of the latest streaming content announcements from Asia Pacific and the Middle East.
Chinese-Speaking Markets
Other award winners include Angry Son, directed by Japan’s Kasho Iizuka, and Longman Leung's Anita, which took the Audience Award and a special mention.
Streamlined Insights
Welcome to Streamlined, a weekly newsletter that will summarise and analyse events in the content industries outside of the Americas & Europe. This second edition also focuses on China and Hong Kong, thanks to Covid outbreaks and as Filmart only wrapped yesterday, although there’s also a section on the
Chinese-Speaking Markets
Award winners included Colleen Kwok's The Stars The Sun The Moon, Huang Ningwei's Not Found and Yang Heng's Silent Ghosts.
Streamlined Insights
Welcome to Streamlined, a weekly newsletter that will summarise and analyse events in the content industries outside the Americas & Europe. For now, this is a labour of love and an experiment, so is free to readers, and does not have any sponsorship or other monetary support. It will run
Chinese-Speaking Markets
Despite the pandemic playing havoc with the release schedules of Hong Kong films, several high-profile titles are being sold at this year's Filmart Online.
Chinese-Speaking Markets
Osaka Asian Film Festival (OAFF, March 10-20) has unveiled its biggest ever line-up with 76 films and 24 world premieres, including two in its competition section – Mama’s Affair, from Hong Kong director Kearen Pang, and Angry Son from Japan’s Kasho Iizuka.
Middle East & North Africa
As non-fungible tokens sweep Asia, a group of Hong Kong companies are trying to turn the craze into a business model for the film and TV industries.