Newsletters
Liz Shackleton
Africa
CANNES 2023 LINE-UP: Titles Selected From Asia, Africa & Midde East
List of titles selected for Cannes Official Selection, Critics Week and Directors Fortnight from Asia, Africa and the Middle East with sales agents.
Chinese Speaking
FESTIVALS: ‘Stonewalling’, ‘Totem’ Win Firebird Awards At Hong Kong Film Festival
Stonewalling, co-directed by Huang Ji and Otsuka Ryuji, and Mexican director Lila Avilés’s Totem both won Firebird Awards at this year's HKIFF.
Newsletters
Thailand & Singapore Sweeteners; K-Pop Slowdown; How The Film Biz Can Use ChatGPT
Chinese Speaking
FESTIVALS: ‘Ajoomma’, ‘Bad Education’ To Open Udine Far East Film Festival
Singapore-Korean collaboration Ajooma, directed by He Shuming, and Bad Education, from Taiwanese star-turned-director Kai Ko, will open this year’s Far East Film Festival in Udine, Italy.
Festivals
FESTIVALS: Indonesia’s 'Like & Share' Takes Grand Prix At Osaka Asian
Indonesian filmmaker Gina S. Noer’s Like & Share was presented with the Grand Prix best picture award at this year’s Osaka Asian Film Festival (March 10-19) in Japan.
Chinese Speaking
Sasha Chuk’s ‘Fly Me To The Moon’ Wins Five Awards At HAF
Taiwanese filmmaker Lien Chien-Hung's Salli and The Poison Cat, from China's Guan Tian, also picked up multiple awards.
Chinese Speaking
FESTIVALS: ‘Mad Fate’, ‘Elegies’ To Open HKIFF
Soi Cheang’s noir thriller Mad Fate and the world premiere of Ann Hui’s documentary Elegies will open this year's Hong Kong International Film Festival.
News
Full Circle Lab Philippines Unveils 15 Projects For Fifth Edition
Line-up includes new projects from the Philippines' Martika Ramirez Escobar and Myanmar's Maung Sun.
Newsletters
Filmart Returns; Hong Kong’s Political Landscape; China Release Schedule
Newsletters
The Yash Raj Films Effect; Indian Films In Berlin & Rotterdam; Self-Censorship At The Streamers
Chinese Speaking
FESTIVALS: Osaka Asian To Open With Ho Cheuk Tin’s ‘Over My Dead Body’
Hong Kong black comedy Over My Dead Body will receive its world premiere as the opening film of this year’s Osaka Asian Film Festival (March 10-19).