FEFF Focus Asia 2026: Full Line-Up

Focus Asia has selected 13 projects for the 2026 edition of All Genres Project Market and six projects for Far East in Progress.

Focus Asia, Far East Film Festival Udine, 2025 edition
Focus Asia, Far East Film Festival Udine, 2025 edition

Focus Asia, the industry platform of the Far East Film Festival (FEFF, April 24-May 2) in Udine, Italy, has selected 13 projects for the 2026 edition of All Genres Project Market and six projects for Far East in Progress.

All Genres Project Market focuses on projects with Asian and European co-production potential, while Far East in Progress is described as the first and only European platform completely dedicated to Asian films in post-production seeking international distribution and festival premiere.

Projects selected for Far East in Progress are first incubated and developed within the Ties That Bind workshop or the All Genres Project Market, before being presented to festival programmers, sales agents and distributors.

The All Genres Project Market selection committee comprised Martin Horyna (Czech Republic), Mike Hostench (Spain), Young-woo Kim (South Korea), Ming-Jung Kuo (Taiwan), Winnie Lau (Hong Kong), Wonsun Shin (South Korea) and Valeria Richter (Denmark). The selection committee for Far East in Progress is headed by Marie-Pierre Vallé (France).

For the first time, Bangkok production and post-production company White Light Studio is joining Focus Asia to deliver the White Light/Focus Asia Award, with an in-kind prize of $20,000 in post-production services, which will be granted to the most promising project selected from Far East in Progress and All Genres Project Market.

ALL GENRES PROJECT MARKET 2026:

A Way To Etretat
Dir: Su-Won Shin
Prod: June Film (South Korea)

Adarna
Dir: Lois Patiño
Prod: Elastica Films (Spain), Matriuska Producciones (Spain)

Dear Sơn An
Dir: Kim Quy Bui
Prod: Varan (Vietnam), A Company Film (Germany)

Holy Mother
Dir: Sinung Winahyoko
Prod: KrossKultur Media (Indonesia)

I Have To Fuck Before The World Ends
Dir: Andrea Benjamin Manenti
Prod: Volos Films Italia (Italy), Citrullo International (Italy), Epicmedia (Philippines), Puffin Pictures (France)

Naked In Glendale
Dir: Haohao Yan
Prod: Seesaw Productions (China), Q&A Entertainment (US)

New Life
Dir: Yingtong Li
Prod: Yitis Film (China)

Noodles, Our Love Was Instant And Forever
Dir: Whammy Alcazaren
Prod: Daluyong Studios (Philippines), TwoFold (Philippines)

Route 7
Dir: Jinrung Chun
Prod: Cloud11 Studios Inc (Japan)

Snake In The Dreamscapes
Dir: Lou Yi An
Prod: Content Digital Film (Taiwan), Hope Content Marketing (Taiwan)

Somewhere In The South
Dir: Ce Ding Tan
Prod: Evil Genius Studio (Malaysia), Giraffe Pictures (Singapore)

UFO Club
Dir: Milena Kaneko
Prod: K2 Pictures Co (Japan), Bunbuku Inc (Japan)

Wake Me Up When The Mourning Ends
Dir: Kok Rui Lau
Prod: Thousand Sails Pictures (Hong Kong), Volos Films Italia (Italy), Janji Pictures Production (Malaysia)

FAR EAST IN PROGRESS 2026: 

Doppel
Dir: Jun Tanaka
Prod: Keyaki Works (Japan), Solaria Film (Italy)

Good Death
Dir: Atsushi Funahashi
Prod: Big River Film (Japan), Flash Forward Entertainment (Taiwan), Harine Films (Poland)

Midnight Sun
Dir: Zhejian Michael Cong
Prod: Man Ran Studio (US), Oui Production (France)

Picturehouse
Dir: Nghiem-Minh Nguyen-Vo
Prod: Girelle Production (France), East Films (Vietnam), Add Oil Films (Singapore), Daluyong Studio (Philippines)

Sanamsar
Dir: Bat-Amgalan Lkhagvajav
Prod: Media Crackers (Mongolia)

The Quiet Applause
Dir: Sungbin Byun
Prod: Ssarinamu Film (South Korea)

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